Meet our evolutionaries – Dean

1. What has working in Kaizen Brand Evolution taught you about the design industry?

From only being here a week, I’ve noticed how fast-paced the studio can be, you always need to be on the ball.

2. Desert Island Design Studio, which typeface would you bring with you?

Odd place to use a typeface; I love geometric typefaces, I’d take LL Circular, it’s fun, and has character…

3. What do you use for motivation inside the studio?

Flicking through some design books, drinking coffee (black, no sugar) and being surrounded by creative people.

4. Any designers you have been stalking online recently?

I’ve been stalking Tony Futura over a year now. He’s a fantastic conceptual artist, creating tongue in cheek visuals. It’s different.

5. What are you listening to in work today?

Today I’ve listening to Eric Prydz (he’s coming to Belfast in June) always puts me in a happy mood, love his visual work to (GMUNK). I usually try to sneak in some hard house and hardcore.

6. Any exhibitions in Belfast recently that are worth checking out? 

I’m looking forward to an exhibition called ‘The Museum of the Moon’ (W5). It on 10th Feb to 4th March. It involves a massive installation of the Moon. I’m get excited by new uses of technology.

7. What’s your pet called? Tell us about them.

Heidi and Kitkat, Heidi’s a cross between a Dachshund and a Bichon, then there’s Kitkat (Chunky). She’s a massive cat.

Meet our evolutionaries – Ciara

1. What has working in Kaizen Brand Evolution taught you about the design industry?

Other than all the practical do’s and don’ts, form and function.  Working in Kaizen Brand Evolution has taught me a lot about the customer focus, everyone has a different eye, therefor, see’s things differently, something you have to always keep in mind.

2. Desert Island Design Studio, which typeface would you bring with you?

Brandon Grotesque is hot. It would totally be my sidekick. So versatile, friendly, strong…

3. What do you use for motivation inside the studio? 

I find working in a studio with a group of talented designers motivational. I can look around the room at any time and be impressed, interested and motivated by all the amazing work going on around me. That and some heavy tunes.

4. Any designers you have been stalking online recently?

I am always stalking every designer. Recently I have been obsessing over Young Jerks. I’d recommend anyone to check out their work.

5. What are you listening to in work today?

I hate to admit it, but DJ Ryan Stanfield has usually got the best mix on. If I need to focus, I will usually listen to some small angsty band or Little Mix.

6. Any exhibitions in Belfast recently that are worth checking out? 

I am so proud of Belfast and how well the creative scene has blossomed the last few years, there is a beautiful new mural every few months. The Black box puts on a walking tour and exhibition of Belfast street art, I’d love to go.

7. What’s your pet called? Tell us about them.

My favourite thing in the world is my cat Kitty. She is small, black, and very noisy. She always has her tongue out, unless she is drinking milk or giving kisses.

Punchestown Racecourse

Punchestown approached Kaizen Brand Evolution to perform a re-brand for their established and celebrated racecourse and entertainment venue. We re-positioned the Punchestown brand by creating an engaging narrative and strategy for the business. With focus on the new ‘Town’ campaign we developed a suite of versatile straplines to use across the new brand roll out and marketing campaigns.

The Punchestown Festival is considered amongst the Racing community as the equivalent to the Wimbledon of Tennis and the Augusta of Golf. The best of the best from far and wide and the entire annual racing season compete at Punchestown. The sheer audience and exposure of the Punchestown brand provided the need to keep their identity and advertising fresh and representative of their unique offering.

There is a deep history at Punchestown Racecourse, which helped immensely in the craft of the brand narrative, from the famous horses, trainers and events that have taken place there is much more than meets the eye at Punchestown. The racecourse is not only synonymous with racing, there is so much more to the venue, from music festivals, corporate catering, family days, hospitality and new years celebrations to name a few.

We felt that the best way for us to communicate the wider offering was to generate a campaign that’s going to be immediately representative of the brand and evoke the emotions and sense that you feel when attending events at the racecourse. This is where the “TOWN” campaign was born. Developing the campaign narrative from the courses namesake, presented potential mileage for the brand and its campaigns immediately and it seemed like an organic development for the branding. With the TOWN campaign decided upon we generated a suite of potential Irish colloquialisms, sayings and relative straplines that would become the driving force behind the new brand identity. ‘Get out of town’ was a saying that marries a few points at once, which we explored on launch.

The idea of getting out of Dublin Town to visit Punchestown is the initial response to this phrase, however we’ve blended a traditional Irish colloquialism in the messaging “get out of town’ also gets used when you’re surprised to hear or see something. i.e. ‘I got a new Ferrari handed to me by my boss’ – the response would be “get out of town’. So the narrative bar was set, to communicate on two levels and engage vocally through the brand materials.

With the narrative and strategy in place we could work the craft of the logo and brand materials. The logo, which features the Punchestown Fox (identifiable through the years across each variation their brand history) has been brought into the 21st century with the use of a fresh new type family and custom fox mascot, who sits neatly above the TOWN letters, harking back to the narrative and campaign messaging.

We introduced a contemporary colour palette for the brand, keeping yet improving on the notorious Punchestown red we added a seasonal suite of colours to be used across the festival graphics, easily identifiable with the likes of Spring, Summer, Autumn Winter festival days. The colour flexibility has really strengthened the brand materials and creates an immediate association with a time of year at Punchestown. Primary colours explore pairings that compliment the Punchestown red, gold and a deep navy.

Once the brand elements are married together it is clear to see the visual results of the successful re-brand, which now addresses the ambition of Punchestown as a business. The new brand identity and campaigns stand out from their local and national competitors. Everything from the strategy, narrative, identity, implementation and management of the brand has been considered and carefully treated to ensure absolute success as the brand evolves. We absolutely loved working on this brand as a studio and we continue to work with Punchestown as brand guardians and as the racing seasons come around.

Watch Tech

Watch Portfolio Management is a well-established business specialising in financial guidance with many clients reaching from the UK to Australia. Watch Portfolio Management is based in Lisburn, Northern Ireland, and is known for their financial advice that leads businesses that have gone into insolvency to find solutions. This, however, is no longer the case! Watch Portfolio Management decided they would approach Kaizen Brand Evolution to create an identity for their cutting edge software, that they primarily would use for daily tasks, as going forward they would like to be seen as a financial software business. This software is to be called Watch Tech. The interface is easy to use and finds information fast making it the best financial insolvency software on the market.

To creating the brands identity we needed to first fully understand the industry landscape that Watch Tech would be positioning itself alongside. We researched and developed clear directions to take our brand ideas based on Watch Tech’s potential competitors in the financial, security and tech sectors. Learning from our research we found what was working and what wasn’t necessarily relevant moving forward with the creation of Watch Tech’s identity. It became clear that a simple, modern identity would be best to represent this brand effectively.

Now that our styling has been determined from our research the identity soon followed. A potential branding direction that we explored was revitalising Watch Portfolio Managements shield to link Watch Tech to it’s heritage, as well as to show the software’s strength and durability when it comes to protecting your financial well being. However, the brand chosen to represent Watch Tech was our identity representing “financial growth”. This mark, illustrating a positive outlook, is a meaningful graphic that lends itself to the company’s primary objective for its clients. The brand mark uses three primary bars linked by two diagonal bars in the background giving a ribboning effect to shape into a “W” ultimately representing Watch Tech. Looking back on our research we decided to use a corporate typeface in a variety of weights to blend with our modern brand mark. This typeface joined with our brand mark comes together to create our Watch Tech Logo.

Following the design of the brands elements we were able to focus more on what our brands message would be. Watch Tech is really the first financial insolvency software to come onto the market and we decided “Pioneering financial insolvency software” would be a good direction for their brand language. Our taglines to follow this direction are “faster, stronger.” and “better, smarter.” to illustrate how superior this software is in comparison to other financial insolvency software’s and its main selling points the software can provide. Leading from this language our imagery shows the idea of exploration and moving forward to illustrate Watch Techs brand message.

With our logo and language already decided the next step in our process is to show our strategy in regards to how the logo would be implemented. The new Watch Tech logo is a strong shape with distinguishing features making it recognisable individually. It’s because of this that we decided to use the outlined shape of the brand mark as a device to house imagery. Imagery on print, signage and online would follow this strategy or be full bleed with the brand mark positioned accordingly alongside our brand messages. We didn’t just create a new brand identity for a piece of software we created a new platform and style for a new business to follow going forward.

Meet our evolutionaries – Shaleen

1. What has working in Kaizen Brand Evolution taught you about the design industry?
In the few months that I’ve been at Kaizen Brand Evolution, I have learnt about presenting for design and how to present a client’s brief back to them and the best way to show outcomes. While working in Kaizen Brand Evolution I have learnt a lot about print and setting up different documents for print. I feel this is invaluable as it is something that will be used in all aspects of design.

2. Desert Island Design Studio, which typeface would you bring with you?
Helvetica, it’s my go to typeface as it is reliable, bold and can be used in all different weights for everything.

3. What do you use for motivation inside the studio? 
On a Friday here at Kaizen Brand Evolution we have a boojum, haha that keeps me motivated throughout the week. More motivation around the studio is the showcase of Kaizen Brand Evolutions work on our walls, seeing the brands that we have worked on and the creative solutions is very inspiring to see.

4. Any designers you have been stalking online recently?
My favourite designer is Jessica Walsh, I first heard her speak at OFFSET in my first year of University and I follow her on Facebook and Instagram.

5. What are you listening to in work today?
I listen to a mixture of everything, usually a bit of Beyoncé.

6. Any exhibitions in Belfast recently that are worth checking out? 
David Sherry at the Golden Thread Gallery, looks like an interesting exhibition I’m hoping to go to it this weekend.

7. What’s your pet called? Tell us about them.
I have a dog called Buddy, he’s old and quite stupid, I live on a farm and he likes to chase cows around the wrong direction.

Meet our evolutionaries – Ryan

1. What has working in Kaizen Brand Evolution taught you about the design industry? 
Reputation is everything, building a good reputation across industry in invaluable and keeping the creative momentum simply nurtures the reputation.

2. Desert Island Design Studio, which typeface would you bring with you? 
Helvetica Neue – the family. I know! But stranded on a desert Island, a neutral typeface with great clarity, no intrinsic meaning would be of great comfort to me.

3. What do you use for motivation inside the studio? 
An eclectic mix of playlists on Spotify, caffeine and surfing Behance.

4. Any designers you have been stalking online recently? 
I love the work coming out of Barcelona at the minute, particularly Mucho. Check ’em out.

5. What are you listening to in work today?
Nirvana – Nevermind as it’s the 25th anniversary.

6. Any exhibitions in Belfast recently that are worth checking out? 
Keith Wilson: Calendar, at the Mac. Looking at the cultural status of sculpture, considering how ideas develop from studio to public presentation.

7. What’s your pet called? Tell us about them.
I have a crazy cockapoo called Riley and a very chilled cat called Obi. They’re best friends, oddly.

Meet our evolutionaries – Lizi

1. What has working in Kaizen Brand Evolution taught you about the design industry?
KBE has taught me to always push myself to do the best – What I personally think is best for the design project I am undertaking.

It has also taught me that every day, every client will be different in the design industry.

2. Desert Island Design Studio, which typeface would you bring with you?
Why is there a design studio on a desert island? That’s what I am wondering first of all? …But if I was to bring a typeface with me it would be Futura. I would bring this because it works well with most design projects and is very reliable. It always has a slight retro feel to it, which I love.

3. What do you use for motivation inside the studio?

When I want to get motivated in the studio, I will plug in my headphones and zone out from the rest of the world, however the odd sweet or two also helps me, my favourites is Squashies incase anyone would like to know.

4. Any designers you have been stalking online recently?
I wouldn’t say stalk, but I love the web designer Sarah Parmenter, I love everything she creates, it is always so lovely!

5. What are you listening to in work today?
We usually have to listen to whatever Ryan puts on in the studio… Sometimes I will request the occasional Disney number but at the moment we are listening to the playlist Throwback Thursday #nostalgic.

6. Any exhibitions in Belfast recently that are worth checking out?
Oliver Jeffers was in the Ulster Hall recently doing a book signing who does lovely, cute illustrations (examples Lost and Found book). Also, Belfast Design Week is coming up in November which should be interesting and filled with lots of talent and creativity.

7. What’s your pet called? Tell us about them
As most people know I am a bit cat crazy – so of course I have a cat. She’s called Nala, she is the cutest thing ever, but also very crazy. Sometimes she will follow me to the bus on my way to work and try to get on with me (which is so embarrassing) or even just sit on top of my head just when she feels like it. I have plenty of stories about her which I talk about a lot in the office, but that’s for another time!

Meet our evolutionaries – Jordan

1. What has working in Kaizen Brand Evolution taught you about the design industry?
Probably how to manage time more effectively. There are so many things going on in the studio ranging right the way through from client graphic design work, photography and our own internal brand that I always try to take a step back from the work and ensure that what is being done is in the best interests of the client, whether that is ourselves or someone else.

2. Desert Island Design Studio, which typeface would you bring with you?
Garamond Premiere Pro! I don’t know whether this typeface would be particularly useful on a desert island but it is definitely my favourite out there. Its classic shape works equally well in lower case for body copy or in the small caps case for detail text and sub headers. I always find that it gives a real sense of class to whatever publication or project it’s used in. I suppose in that sense if I were stranded I could imagine it was part of a big adventure book all set in the classic typeface.

3. What keeps you motivated?
The sheer range of clients that we work with means that we can experiment a lot with different styles and ways of communicating as we try to find the unique voice of a brand. I suppose this means I never really get bored as every job presents a new problem or task, which needs to be overcome in a visually pleasing way.

4. Any designers you have been stalking online recently?
There is a company from Argentina called ‘Hola Bosque’ who are really inspiring for me because of how the use colour. Everything they do is bursting off the screen with ingenious combinations that always seem so obvious until you try to do it yourself. They are primarily an illustration studio, which means that their style is very handmade and organic, which, combined with the colours make for a brilliant result.

5. What are you listening to in work today?
I really love music, and having played in a kind of post-punk band for a few years I developed a taste for the heavier guitar riff bands like Queens of the Stone Age and Refused, but both my Dad and brother have great taste in music and send regular recommendations my way. Most recently I am going back to what my Dad played in the car when I was younger, a mix of Steely Dan and Sting. But I will listen to anything that catches my ear. One of my new favourites is ‘Dreams’ by Beck from the new FIFA 16 soundtrack.

6. Any exhibitions in Belfast recently that are worth checking out?
The most recent exhibition’s that I have seen were all on Culture Night 2016. There is always a plethora of events, shoes and performances to go and see so I don’t think I could choose my favourite from the night, but if I had to say it would probably have been the people from Flamenco Fino. Brilliant dancing and music.

7. What’s your pet called? Tell us about them.
I have a cat and a dog, Evee and Catty… Try to guess which one is which. They are both very old now but still in great shape, Evee especially. She is 15 years old and still going strong, but the best thing about her is that she is just so well behaved. Only barks when she needs let in from outside and loves a good hug. Catty is like any well respected cat would be, totally aloof until she needs something, then she’s all over you.

Meet our evolutionaries – Lynsay

1. What has working in Kaizen Brand Evolution taught you about the design industry?
That it is the team that you build around you and the studio culture that you craft that can be credited for the success of a studio. It’s that, that helps cultivate creativity. Clients then feel the passion and positivity toward their projects in pitches, gaining trust in the process. At Kaizen Brand Evolution, we have an amazing team!

2. Desert Island Design Studio, which typeface would you bring with you?
Helvetica. Sounds standard, but I love a bit of symmetry and it would bring a bit of order to the island, born fixer!

3. What do you use for motivation inside the studio?
Diet Coke! The real thing that motivates me most is being engaged in a client meeting when I know we can really help make a difference to their business, when I can see a solution using design intervention to create change.

4. Any designers you have been stalking online recently?
I’ve mainly been creeping on Wayne Hemmingway as I’ve been furniture shopping. Also been checking out D.A.D.D.Y. to stalk at OFFSET 2017.

5. What are you listening to in work today?
I only had a chance for a brief headphones moment today before the studio day started, it was to listen to and watch the trailer for the documentary ‘Oasis: Supersonic’. Nostalgic old footage and a very young Kate Moss. The studio today has mainly played Nirvana to mark the 25 years since Nevermind. New Warpaint album for the journey home.

6. Any exhibitions in Belfast recently that are worth checking out?
The Hockney exhibition at the Mac was a must for me after seeing the documentary at QFT a couple of years back. Turned out expensive for a free exhibit as I’d been looking for a sofa at the time and it led me to buy a Hockney inspired range. It’s very true in what he says, that there are ways of looking, it’s just a question of how hard.

7. What’s your pet called? Tell us about them
Currently two cats named Mickey and Mallory, after M&M Knox in ‘Natural Born Killers’. More often, they get called ‘the black one’ and ‘the other one’, as they are more natural born scaredy cats. Rescued from a centre after spending their first 7 months in a cage they hadn’t been used to human contact or touch, and so are taking alot of time and patience to become domesticated. ‘The other one’ is now brave enough to be stroked, but only in the dark.

Meet our evolutionaries – Vicki

1. What has working in Kaizen Brand Evolution taught you about the design industry?
You need to be fast, accurate and very, very good. I learn so much each day in the studio, and thankfully have a supportive and talented and patient team to teach me. 

2. Desert Island Design Studio, which typeface would you bring with you?
Century Gothic, nice, friendly and versatile font. I feel if ‘Wilson’ had been written in Century Gothic, he would have been more lively!

3. What do you use for motivation inside the studio?
Coffee, some more coffee, oh and some more coffee.

4. Any designers you have been stalking online recently?
‘I love dust’ I enjoy the biker persona they have and everything they do is loud and proud. I have a real soft spot for Chip Kidd, who doesn’t love the guy who created the Jurassic Park logo! His Ted Talks are really helpful and inspirational. I mostly stalk illustrators, mostly. Such as Steve Simpson (who I am a little obsessed with and literally stalked at OFFSET) Oliver Jeffers who just had a book signing at the Ulster Museum. Love local guys like Stephen Maurice Graham and Peter Strain. And a big fan of Chiara Bautista’s sketching. Her mix of music lyrics and emotionally charged imagery is delightful. I still check in to Deviant Art every now and again for a nosey too. 

5. What are you listening to in work today?
A mix of Eminem – ‘Rap God’ and Childish Gambino gets me motivated in the studio, and in the gym. For a calm down session I love Blood Orange – ‘Cupid Deluxe’ and anything by Devotchka. 

6. Any exhibitions in Belfast recently that are worth checking out?
David Hockney in the Mac, first time his work has been exhibited here, and marks a major turning point for art exhibits in NI. Late Night Art is always fun for free wine and a look at what’s happening each month. 

7. What’s your pet called? Tell us about them
Henry the cat. He had a bad tummy when he was young and a bad name ‘Henry’, named after some footballer. We just pronounce it differently now.
He is all better and eats constantly, has a little extra flab to carry around. 

International Society of Typographic Designers

The International Society of Typographic designer’s is the staple for excellence in worldwide typography. This year I was invited to assess the Irish submissions for the Awards. The assessments involved a full day at DIT Grangegorman with Ireland’s top design industry and education professionals. The standard of work from across the emerald isle was very impressive from the final year students with some outstanding projects that successfully made the grade for the ISTD Award. The atmosphere was inspiring and the detail in the assessment process highlights its importance in our industry. Once all of the assessing was finished we had a well-deserved meal just round the corner from DIT and wound down. It was a pleasure to be involved and I look forward to next year’s submissions.